The creative process for this poster began with a simple image: the surface of a swimming pool with a thread of wool floating over it. The pool evoked stillness and clarity, while the thread introduced a soft, organic contrast. Rather than preserving this calm atmosphere, I reworked the image through multiple phases of editing and abstraction. By manipulating contrast, color, texture, and form, the smooth water gradually transformed into rigid, metallic surfaces. The delicate thread evolved into a structural line, resembling cables or technical elements of a textile machine or a loom. With each iteration, the image progressively moved away from its origin. The serene pool vision became an industrial environment, replacing fluidity with structure and softness with weight. The final poster no longer represents water, but a constructed and mechanical space, referencing knitwear, while still evoking subtle traces of its departure point.
, editor in chief and fashion director of SSAW Magazine
